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GERALD VALCIN
 
 

 
 
   
FLORIDA
 
Schnelange Valcin
Art-Expo Valcin II, Inc
P.O.Box 290947
Tampa Fl 33687
813-263-6345
 
   
NEW YORK
 

Krafins Valcin
POBOX 340689
Brooklyn, NY 11234
Tel: 347-489-0986

 
   
HAITI
 

Fravrange Valcin(Valcin II) Art-Expo Valcin II
Académie des Arts#5 Avenue Fragneauville Delmas 75 Delmas,
011-509-558-2778

 

 

All paintings of VALCIN II are sold with a certificate of authenticity
(sealed and signed by the artist)

 

 
   
 
   
 
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Gerard Valcin

About Gerard Valcin

1923 Born in Port au Prince Valcin began to paint at the Art center in 1950. He is one of the most esteemed Haitian primitive painters.His topics are voodoo ceremonies, landscapes and sceenes of country life all deeply echoing Haitian reality.

Haitian Arts Marie Jose Nadal Gardère (p. 108

Gerard VALCIN

Gerard Valcin Born 1923 he was, by profession, a setter of tile. The precision and oderly balance of his paintings may owe something to their delicate work He changed and perfected his present style in 1968.

Haiti voodoo KINGDOM TO MODERN RIVIERA.
BY JOHN ALLEN FRANCISCUS (p. 92)

 

GERARD VALCIN Port au Prince, 1923

Gerard Valcin is a happy man ; he enjoys life to its fullest. Whatever he does, “Le Bon Dieu” is with him. Gerard is serious only when he talks about his belief in voodoo. To his mind, it is the LOAS who have helped him to succes.

The poverty of his parents allowed Gerard only three years of school , after which he became a tile setter. He decided to become a painter after various encounters with artists whose work left him dissatified. In 1959 he took a sample of his work to the Centre d'Art where Dewitt Peters encouraged him to continue. As soon as he began to earn money from the sale of his paintings, he gave up tile setting and devoted all his energies to art.

Most of Gerard's work consists of voodoo scenes or depictions of country life. Scenes which are pervaded by rhythm of drums are usually his best . No other Haitian artist has brought out the voice of the drum, so essential to Haitian life , as consistently and convincingly as has Valcin The circles of worshipers, the omvements of the field workers and market women , even the arrangement of piles of baskets, are dictated by that rhythm . Rhythm is ascented by stylized folds that underline the motion of the bodies.

 
 
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